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	<title>Comments on: Why traditional TV production is dead</title>
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	<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/</link>
	<description>Strategies for Public Media 2.0</description>
	<pubDate>Sun, 06 Jul 2008 17:17:07 +0000</pubDate>
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		<title>By: John Proffitt</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-158</link>
		<dc:creator>John Proffitt</dc:creator>
		<pubDate>Thu, 10 Apr 2008 20:15:04 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-158</guid>
		<description>Greg -- I totally agree that traditional TV and media remain dominant from an ad-spend perspective to date, and will likely remain that way for a while. Old models that involve ingrained behaviors on the part of the public die slowly, not quickly.  Cooper's right -- there's no singular event horizon that will define the shift.

That said, I think the value of the FCC license for local over-the-air broadcasting has rapidly declining value.  It's not dead, and will never fully die, but it's declining.  And it's probably worst for "traditional" pubTV operators and any local network affiliate that has a weak local operation.

I think four things make it worse for pubTV stations:

1. They're not generally run by hard-nosed numbers/business people. When you have a literal bottom line and cash-hungry investors, it tends to focus your goals and activities. PubTV is a softer business with softer goals. Don't get me wrong -- you can make money, even good money, with a pubTV local license. The leadership is not arrayed to solve business math problems, but community service problems. As the TV market has fractured, most of the pubTV system has missed the boat financially and strategically.

2. Many stations, through declining revenues, have slashed local operations, shrunken their local engagement activities, and basically become glorified repeaters for the national outlets (e.g. PBS). That's a commodity move, and commodity businesses are margin businesses. See #1. And in this commodity business, costs are going up, viewership/revenue is going down. That doesn't last.

3. Cable TV has created a large and growing number of niches for viewers, allowing folks to find content categories on demand. PBS still plays a grab-bag game, smashing together all kinds of different content. Aggregated quality is good, but findability and meeting my needs when/where I want them met trumps quality. The only thing PBS has broken out in the last few years are some kids services, and that was a battle. In a world of niches, PBS is still playing a walled-garden portal game.

4. Local TV businesses, even more than nationals, have been slow to adapt to changing TV production models (smaller, lighter, faster, more naturalistic, local, cheaper, etc.). Speaking from where I sit, I work with people that openly long for the 1980s TV world, when the money flowed easily and the staffing and equipment were plentiful and cutting-edge. They all want to win an Emmy with every production. They pooh-pooh projects that are "too small" for their own professional goals. PubTV incumbents are kind of stuck because of this mismatch of talents and goals compared to strategic requirements. In that way, pubTV is just like commercial TV, newspapers, and so on.

Advertising dollars will continue to flow to the big boxes in the living rooms that are hooked up to traditional video sources.  But that money is moving away, diversifying, shrinking as audiences similarly fracture.  As a single outlet of advertising cash, TV is likely to remain dominant for many years, and no other single outlet will challenge it -- perhaps ever.

Perhaps that's the biggest takeaway: the future does not offer a singularly dominant medium through which all ad dollars will flow.</description>
		<content:encoded><![CDATA[<p>Greg &#8212; I totally agree that traditional TV and media remain dominant from an ad-spend perspective to date, and will likely remain that way for a while. Old models that involve ingrained behaviors on the part of the public die slowly, not quickly.  Cooper&#8217;s right &#8212; there&#8217;s no singular event horizon that will define the shift.</p>
<p>That said, I think the value of the FCC license for local over-the-air broadcasting has rapidly declining value.  It&#8217;s not dead, and will never fully die, but it&#8217;s declining.  And it&#8217;s probably worst for &#8220;traditional&#8221; pubTV operators and any local network affiliate that has a weak local operation.</p>
<p>I think four things make it worse for pubTV stations:</p>
<p>1. They&#8217;re not generally run by hard-nosed numbers/business people. When you have a literal bottom line and cash-hungry investors, it tends to focus your goals and activities. PubTV is a softer business with softer goals. Don&#8217;t get me wrong &#8212; you can make money, even good money, with a pubTV local license. The leadership is not arrayed to solve business math problems, but community service problems. As the TV market has fractured, most of the pubTV system has missed the boat financially and strategically.</p>
<p>2. Many stations, through declining revenues, have slashed local operations, shrunken their local engagement activities, and basically become glorified repeaters for the national outlets (e.g. PBS). That&#8217;s a commodity move, and commodity businesses are margin businesses. See #1. And in this commodity business, costs are going up, viewership/revenue is going down. That doesn&#8217;t last.</p>
<p>3. Cable TV has created a large and growing number of niches for viewers, allowing folks to find content categories on demand. PBS still plays a grab-bag game, smashing together all kinds of different content. Aggregated quality is good, but findability and meeting my needs when/where I want them met trumps quality. The only thing PBS has broken out in the last few years are some kids services, and that was a battle. In a world of niches, PBS is still playing a walled-garden portal game.</p>
<p>4. Local TV businesses, even more than nationals, have been slow to adapt to changing TV production models (smaller, lighter, faster, more naturalistic, local, cheaper, etc.). Speaking from where I sit, I work with people that openly long for the 1980s TV world, when the money flowed easily and the staffing and equipment were plentiful and cutting-edge. They all want to win an Emmy with every production. They pooh-pooh projects that are &#8220;too small&#8221; for their own professional goals. PubTV incumbents are kind of stuck because of this mismatch of talents and goals compared to strategic requirements. In that way, pubTV is just like commercial TV, newspapers, and so on.</p>
<p>Advertising dollars will continue to flow to the big boxes in the living rooms that are hooked up to traditional video sources.  But that money is moving away, diversifying, shrinking as audiences similarly fracture.  As a single outlet of advertising cash, TV is likely to remain dominant for many years, and no other single outlet will challenge it &#8212; perhaps ever.</p>
<p>Perhaps that&#8217;s the biggest takeaway: the future does not offer a singularly dominant medium through which all ad dollars will flow.</p>
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		<title>By: Greg Fitzgerald</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-143</link>
		<dc:creator>Greg Fitzgerald</dc:creator>
		<pubDate>Mon, 07 Apr 2008 20:14:31 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-143</guid>
		<description>An interesting read on this comes from Jim Cooper in the March 31 issue of Mediaweek, (you can find it online at the mediaweek.com site by going to their opinion section).  Cooper focuses on commercial media only, but it raises interesting questions about public media as well. He argues that the ad dollars will continue to flow to the big media in the foreseeable future; the "big guys" will certainly take advantage of the growing dollars available from advertising revenue from on-line distribution, but the big dollar deals for advertising will continue to flow to the programming that's seen on big boxes in homes:

Says Cooper: 
" But while those [on-line viewer] numbers chart impressive audience growth, based on some research that recently came across my desk, I'm of the mind that online video will be mostly additive to viewers and incremental to programmers for at least the next five to 10 years. Here's why.

As an ad sales business, per eMarketer, Web streaming will pull in about $1.35 billion in 2008. That grows to $4.3 billion in 2011. To put that in proper perspective, the Big Four broadcast nets drew about $17 billion in prime-time dollars for calender year '07. So while it's a business—and a growing one at that—Web video will be a budget line for the media industry and not an event horizon. "

So at least on the commercial side - that FCC license in most markets will continue to be a license to print money.  The bigger question is why this economic model does not hold for public television (which I agree will face much bigger challenges maintaining audiences and revenue).</description>
		<content:encoded><![CDATA[<p>An interesting read on this comes from Jim Cooper in the March 31 issue of Mediaweek, (you can find it online at the mediaweek.com site by going to their opinion section).  Cooper focuses on commercial media only, but it raises interesting questions about public media as well. He argues that the ad dollars will continue to flow to the big media in the foreseeable future; the &#8220;big guys&#8221; will certainly take advantage of the growing dollars available from advertising revenue from on-line distribution, but the big dollar deals for advertising will continue to flow to the programming that&#8217;s seen on big boxes in homes:</p>
<p>Says Cooper:<br />
&#8221; But while those [on-line viewer] numbers chart impressive audience growth, based on some research that recently came across my desk, I&#8217;m of the mind that online video will be mostly additive to viewers and incremental to programmers for at least the next five to 10 years. Here&#8217;s why.</p>
<p>As an ad sales business, per eMarketer, Web streaming will pull in about $1.35 billion in 2008. That grows to $4.3 billion in 2011. To put that in proper perspective, the Big Four broadcast nets drew about $17 billion in prime-time dollars for calender year &#8216;07. So while it&#8217;s a business—and a growing one at that—Web video will be a budget line for the media industry and not an event horizon. &#8221;</p>
<p>So at least on the commercial side - that FCC license in most markets will continue to be a license to print money.  The bigger question is why this economic model does not hold for public television (which I agree will face much bigger challenges maintaining audiences and revenue).</p>
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		<title>By: John Proffitt</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-140</link>
		<dc:creator>John Proffitt</dc:creator>
		<pubDate>Sun, 06 Apr 2008 19:33:40 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-140</guid>
		<description>Sorry for the delayed approval on your comment, Jim. And I think you're totally right. It seems like we have to unlearn things in order to change. I'm thinking about new modes of production (both live and recorded) that require less gear, less editing, less people, less cost across the board. It will mean we won't win Emmys for production quality, but we might just make a real connection with our community.  I'm hoping it's the right approach.

And by the way, you may remember Duncan Moon from your past work -- he certainly remembers you.  His office and mine share a wall and he has said lots of kind things about your work and your methods. If you ever want to do some free consulting (ha!) we sure could use your experience and smarts in Alaska!</description>
		<content:encoded><![CDATA[<p>Sorry for the delayed approval on your comment, Jim. And I think you&#8217;re totally right. It seems like we have to unlearn things in order to change. I&#8217;m thinking about new modes of production (both live and recorded) that require less gear, less editing, less people, less cost across the board. It will mean we won&#8217;t win Emmys for production quality, but we might just make a real connection with our community.  I&#8217;m hoping it&#8217;s the right approach.</p>
<p>And by the way, you may remember Duncan Moon from your past work &#8212; he certainly remembers you.  His office and mine share a wall and he has said lots of kind things about your work and your methods. If you ever want to do some free consulting (ha!) we sure could use your experience and smarts in Alaska!</p>
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		<title>By: Jim Russell</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-127</link>
		<dc:creator>Jim Russell</dc:creator>
		<pubDate>Fri, 28 Mar 2008 14:02:10 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-127</guid>
		<description>For me the real question is: Does one have to be huge (eg., WGBH) to survive and prosper as a professional production company? I agree that "small video" offers the right approach. 20 years ago, the pubTV station I worked at (Twin Cities PTV) was shooting dramatic works in the field with single cameras, 3/4" recorders and a cuts-only editing system. They garnered a good audience and won all kinds of awards. We did it because we didn't know you couldn't. Just as CNN needed to teach CBS News that there was a future for news that was less expensive than CBS's approach -- and as cable has shown PBS that it can poach on the public television franchise -- we either learn these lessons or we become extinct. 

Bottom line: there is a bright future out there for imaginative program makers who can revolutionize their behavior and the scale of producing to what is now possible ... and REQUIRED.

Cheers,

Jim "The Program Doctor" Russell</description>
		<content:encoded><![CDATA[<p>For me the real question is: Does one have to be huge (eg., WGBH) to survive and prosper as a professional production company? I agree that &#8220;small video&#8221; offers the right approach. 20 years ago, the pubTV station I worked at (Twin Cities PTV) was shooting dramatic works in the field with single cameras, 3/4&#8243; recorders and a cuts-only editing system. They garnered a good audience and won all kinds of awards. We did it because we didn&#8217;t know you couldn&#8217;t. Just as CNN needed to teach CBS News that there was a future for news that was less expensive than CBS&#8217;s approach &#8212; and as cable has shown PBS that it can poach on the public television franchise &#8212; we either learn these lessons or we become extinct. </p>
<p>Bottom line: there is a bright future out there for imaginative program makers who can revolutionize their behavior and the scale of producing to what is now possible &#8230; and REQUIRED.</p>
<p>Cheers,</p>
<p>Jim &#8220;The Program Doctor&#8221; Russell</p>
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		<title>By: John Proffitt</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-121</link>
		<dc:creator>John Proffitt</dc:creator>
		<pubDate>Wed, 26 Mar 2008 20:53:01 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-121</guid>
		<description>@Steve Bass -- You know, I focus so much on the environment I'm in (small- to mid-market) that I'm not as well-versed in the big market situation.  It's hard to wrap my head around how a comparatively large company like OPB or WGBH or WNET or KQED or others in the top-tier markets could really be facing the same issues.  But of course you are, and I appreciate you sharing the insight and correcting that part of my thinking.

Plus, I think your scale comments are right on.  As Mark Fuerst said recently at the IMA conference, there seem to be two successful kinds of scale in media (new media especially) -- huge and tiny.  Folks in the middle are getting squeezed from each side as small players have virtually no overhead to support or legacy to protect, and the largest players can leverage mass audience economics.

I didn't think of OPB being in the middle, but in the grand scheme of things I suppose it is.  As Fuerst also likes to point out, the entire public media industry in the U.S. is only about as big an economy as the National Hockey League.  Compare that to the rest of the media world and yeah, it's not that big.

And I remember your Current article. For other folks out there, you can read it here...
http://tinyurl.com/2pvypb

I wish I'd been blogging back then. That's a great article.  Hopefully it's gotten some traction (it may have -- I don't travel in the fundraising circles).</description>
		<content:encoded><![CDATA[<p>@Steve Bass &#8212; You know, I focus so much on the environment I&#8217;m in (small- to mid-market) that I&#8217;m not as well-versed in the big market situation.  It&#8217;s hard to wrap my head around how a comparatively large company like OPB or WGBH or WNET or KQED or others in the top-tier markets could really be facing the same issues.  But of course you are, and I appreciate you sharing the insight and correcting that part of my thinking.</p>
<p>Plus, I think your scale comments are right on.  As Mark Fuerst said recently at the IMA conference, there seem to be two successful kinds of scale in media (new media especially) &#8212; huge and tiny.  Folks in the middle are getting squeezed from each side as small players have virtually no overhead to support or legacy to protect, and the largest players can leverage mass audience economics.</p>
<p>I didn&#8217;t think of OPB being in the middle, but in the grand scheme of things I suppose it is.  As Fuerst also likes to point out, the entire public media industry in the U.S. is only about as big an economy as the National Hockey League.  Compare that to the rest of the media world and yeah, it&#8217;s not that big.</p>
<p>And I remember your Current article. For other folks out there, you can read it here&#8230;<br />
<a href="http://tinyurl.com/2pvypb" rel="nofollow">http://tinyurl.com/2pvypb</a></p>
<p>I wish I&#8217;d been blogging back then. That&#8217;s a great article.  Hopefully it&#8217;s gotten some traction (it may have &#8212; I don&#8217;t travel in the fundraising circles).</p>
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		<title>By: John Proffitt</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-120</link>
		<dc:creator>John Proffitt</dc:creator>
		<pubDate>Wed, 26 Mar 2008 20:33:53 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-120</guid>
		<description>@Rosenblum -- Agreed. Newspapers, in some cases, are making major strides.  In the local markets, I think it'll be a battle between the incumbent TV folks (who are still largely blinded by their advertising revenues) and the newspapers (who aren't blinded by revenues, but by inertia).  Newspapers are, ironically, better suited to move to the web because they've got the text and photo thing nailed down (skill-wise) and can learn video.  TV folks, it seems to me, will have a much harder time learning text and photos.

Public media outlets actually have some real opportunity here. However, we may be too cash-poor to take advantage of the situation. We're very trapped in the old models and are emotionally attached (nonprofits seem to do this more than for-profits).  I could easily see developing an "NPR of video" for local / regional / national news and doing it on the web.  That could be a killer service.  Deadly, perhaps, to the incumbent cable "news" channels.

In any case, thanks for stopping by and commenting.  I'm a huge fan of your blog and hope, one day, to send some journalists to one of your VJ boot camps.  Someday...</description>
		<content:encoded><![CDATA[<p>@Rosenblum &#8212; Agreed. Newspapers, in some cases, are making major strides.  In the local markets, I think it&#8217;ll be a battle between the incumbent TV folks (who are still largely blinded by their advertising revenues) and the newspapers (who aren&#8217;t blinded by revenues, but by inertia).  Newspapers are, ironically, better suited to move to the web because they&#8217;ve got the text and photo thing nailed down (skill-wise) and can learn video.  TV folks, it seems to me, will have a much harder time learning text and photos.</p>
<p>Public media outlets actually have some real opportunity here. However, we may be too cash-poor to take advantage of the situation. We&#8217;re very trapped in the old models and are emotionally attached (nonprofits seem to do this more than for-profits).  I could easily see developing an &#8220;NPR of video&#8221; for local / regional / national news and doing it on the web.  That could be a killer service.  Deadly, perhaps, to the incumbent cable &#8220;news&#8221; channels.</p>
<p>In any case, thanks for stopping by and commenting.  I&#8217;m a huge fan of your blog and hope, one day, to send some journalists to one of your VJ boot camps.  Someday&#8230;</p>
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		<title>By: Steve Bass</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-118</link>
		<dc:creator>Steve Bass</dc:creator>
		<pubDate>Wed, 26 Mar 2008 15:36:04 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-118</guid>
		<description>John -- interesting post and I agree with much of what you are saying.  The only part that I would disagree with is your giving a free pass to major producers to the challenges that you lay out.  While major stations may have more money and people, the economic challenges are in at least as severe.  An article I wrote for Current not long ago, points out the challenge that the current corporate sponsorship model is facing is but one example.  The very high cost of production is another.

One of the issues that public broadcasting stations will soon have to deal with (if they aren't already) is that of scale.  Many public radio and television stations are too small or weak financially to do anything more than just pass through PBS, NPR or other product.  Scale is going to need to be achieved, particularly around terrestrial broadcast distribution, in order to provide the margin needed to truly achieve a significant, locally-based public service mission.</description>
		<content:encoded><![CDATA[<p>John &#8212; interesting post and I agree with much of what you are saying.  The only part that I would disagree with is your giving a free pass to major producers to the challenges that you lay out.  While major stations may have more money and people, the economic challenges are in at least as severe.  An article I wrote for Current not long ago, points out the challenge that the current corporate sponsorship model is facing is but one example.  The very high cost of production is another.</p>
<p>One of the issues that public broadcasting stations will soon have to deal with (if they aren&#8217;t already) is that of scale.  Many public radio and television stations are too small or weak financially to do anything more than just pass through PBS, NPR or other product.  Scale is going to need to be achieved, particularly around terrestrial broadcast distribution, in order to provide the margin needed to truly achieve a significant, locally-based public service mission.</p>
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		<title>By: Rosenblum</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-117</link>
		<dc:creator>Rosenblum</dc:creator>
		<pubDate>Wed, 26 Mar 2008 12:56:43 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-117</guid>
		<description>HI John
Needless to say, could not agree more, but keep your eye on the local newspaper. Those who survive will become, i think, ironically, a far more efficient and productive creator of video content. and as web and tv merge, who can tell the difference? They have been working on a far smaller scale since the 1960s.</description>
		<content:encoded><![CDATA[<p>HI John<br />
Needless to say, could not agree more, but keep your eye on the local newspaper. Those who survive will become, i think, ironically, a far more efficient and productive creator of video content. and as web and tv merge, who can tell the difference? They have been working on a far smaller scale since the 1960s.</p>
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		<title>By: John Proffitt</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-116</link>
		<dc:creator>John Proffitt</dc:creator>
		<pubDate>Wed, 26 Mar 2008 10:54:26 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-116</guid>
		<description>Thanks for stopping by, Mr. Mosca. I wasn't expecting international readers, but it's great to have you here.

I know nothing about Italian television, but I suspect the same economic issues apply in Italy as they do in the United States.</description>
		<content:encoded><![CDATA[<p>Thanks for stopping by, Mr. Mosca. I wasn&#8217;t expecting international readers, but it&#8217;s great to have you here.</p>
<p>I know nothing about Italian television, but I suspect the same economic issues apply in Italy as they do in the United States.</p>
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		<title>By: Vincenzo</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-115</link>
		<dc:creator>Vincenzo</dc:creator>
		<pubDate>Wed, 26 Mar 2008 09:09:58 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-115</guid>
		<description>Hi, my name is Vincenzo and I am a Tv producer and head of coproductions  for a major Italian company called Lux Vide (www.luxvide.it); I found your above post so interesting and in line with what I have been thinking and observing in my 20-year long carreer. Big TV event shows are becoming the only way to fund prime tv, but it look shrinking...I look forward to sharing views with you if you want.
best 
Vincenzo Mosca
http://www.linkedin.com/in/vincenzomosca1958</description>
		<content:encoded><![CDATA[<p>Hi, my name is Vincenzo and I am a Tv producer and head of coproductions  for a major Italian company called Lux Vide (www.luxvide.it); I found your above post so interesting and in line with what I have been thinking and observing in my 20-year long carreer. Big TV event shows are becoming the only way to fund prime tv, but it look shrinking&#8230;I look forward to sharing views with you if you want.<br />
best<br />
Vincenzo Mosca<br />
<a href="http://www.linkedin.com/in/vincenzomosca1958" rel="nofollow">http://www.linkedin.com/in/vincenzomosca1958</a></p>
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		<title>By: Rob Paterson</title>
		<link>http://gravitymedium.com/2008/03/25/why-traditional-tv-production-is-dead/#comment-113</link>
		<dc:creator>Rob Paterson</dc:creator>
		<pubDate>Tue, 25 Mar 2008 23:41:32 +0000</pubDate>
		<guid isPermaLink="false">http://gravitymedium.com/?p=69#comment-113</guid>
		<description>John
This is so compelling
r</description>
		<content:encoded><![CDATA[<p>John<br />
This is so compelling<br />
r</p>
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