NPR CEO on towers, revenue and news collaboration
June 3, 2010 by John Proffitt · Leave a Comment
NPR CEO Vivian Schiller appeared at the All Things D conference this week and made some waves. I know John Sutton noticed something she said and didn’t like it. And I was puzzled by it. But let’s be fair — there were several issues she covered while talking with Kara Swisher. A complete liveblog-style capture is here.
Radio towers gone in 10 years?
The most surprising comment she made was her assessment that the business of distributing audio programming via radio towers would be largely gone in 10 years. Though not a direct quote, here’s the transcript-like version:
Some smaller affiliates weren’t really set up for digital, so we had to provide tools for them so they could be part of the process. Some of this was tools for photos, etc. But fundamentally, helping them deliver audio streams. Radio towers are going away within 10 years, and Internet radio will take its place. This is a huge change and we should embrace it. Mobile will play a big part. [emphasis added]
I’m as big into new media as anyone, but even I was shocked that NPR’s CEO would make such a bold statement. Perhaps it was a heat-of-the-moment kind of thing. I don’t know.
Certainly Internet-delivered audio streaming and audio programming (not to mention, video, text, etc.) is gaining ground on old-school delivery technologies. But a 10-year countdown on radio transmission strikes me as a bit fast. This is a generational change, a slow process. Consider the strikes against this prediction:
- Audio programming, as practiced by NPR and her affiliates, is still a mass media experience — it’s not personalized or socialized to individuals. “We report, you decide” is the model. For that, mass distribution via radio makes a lot of sense. It’s more efficient for most use-cases in play today (listening during “down times” to and from work, running errands, at the desk, on weekends).
- Car-based Internet access remains experimental today. Yes, I can take the iPhone in the car, keep it hooked to the Internet and stream audio, playing it back on the car stereo. But that’s still a wonky process only geeks could love. My 70+-year-old mother has an iPhone and loves it. But she’s not listening to radio on it. And certainly not doing that while hooked up in the car.
- Mobile Internet access, especially at mass quantity, is getting more expensive, not less. AT&T’s repricing moves announced yesterday are part of that trend. Carriers, knowing the incredible capital expenditures required to build out towers, backhaul and more, can price their service in ways that lock out casual users. For those casual users, radio remains a free alternative.
And there’s more. But there are also factors that support Schiller’s contention from the user perspective:
- New cars are already starting to get live Internet and “sync” capabilities. It’s still rare and a little pricey, but it’s here and it will grow. When your car has a simple media center in it that syncs (downloads podcasts) via WiFi when it sits in your garage or driveway, new possibilities appear.
- The staggering majority of news is not real-time in nature and does not need live streaming. Therefore, a fast record/deliver model could supplant radio broadcast for almost all NPR programming. What if Morning Edition was delivered to the car very, very fast, and it was ready for you when you turned the key in the ignition for the morning commute? A super-fast podcast may be all you need 99% of the time. Local station? Not needed for transmission. Indeed, a local station would just get in the way.
- It’s easy to imagine a phone/car ecosystem that will unite the two in consumer-friendly ways. I’m not talking about hands-free speakerphones, but much more. Consider the possibilities when a car with WiFi, Bluetooth, media center and GPS functions unites with a WiFi/Bluetooth/3G smartphone and Internet access that’s both broadband (WiFi at home) and narrowband (3G) in nature. Non-live programming goes broadband. Live programming — when needed, which is rarely — comes in via narrowband on demand.
10 years sounds like a short time. But in the technology world, it’s a near-eternity. Consider what Google looked like 12 years ago (1998):
All in all, you can count me as a skeptic on the “gone in 10 years” idea. But I’m delighted someone in a powerful leadership position is thinking big. To me, the real question is when will we cross the line at which point radio technology investments become a liability rather than an asset?
The Battle Royale of Network vs. Stations
Aside from the user-centric and technology issues are the financial and “power” issues. Be sure to read John Sutton’s post where he starts to look at this. Though Schiller talks about collaboration in the news production and distribution business that includes local stations, those notions remain largely ethereal. Setting aside the Argo Project — it’s both too tiny to demonstrate meaningful results and it’s being done with Bryant Park Project-style largesse that cannot be sustained — what work is NPR preparing to do to bring station leaders along when it comes to mission and revenue? Not much that I can see today.
Because the problem isn’t with NPR. They’ve got the digital talent. They’ve got the lion’s share of reporting capacity. They can aggregate advertisers and listeners at scale. Though they couldn’t stay the same size, they could make it on their own without the stations. The problem is with the stations.
Stations have gotten fat and happy buying NPR stuff (even at highway robbery rates) because the audience loves the content and enough of them give money. Plus advertisers like pubradio demographics. It’s working. TV is struggling to survive while radio is largely doing okay. But stations aren’t doing what Schiller appears to want: significant local reporting that would allow for news collaborations network-wide. For her notions of a news network to work, someone outside NPR has to be producing news content and sharing it. Too many stations have too little capacity (or none at all) in this area. And many stations funded by CPB are music-primary or heavily music-based, taking them further from public service news.
So we’re left with a hinted-at battle between the network and the stations over money, power and mission. Or rather, it’s a re-ignition of an old battle that started when the Internet burst onto the scene 10 years ago. Given that NPR’s Board is largely populated with station management, Schiller could be in for some interesting conversations in the months to come.
All this said, readers should note a portion of the Q&A session from her appearance at D8:
Is there a way to support NPR without supporting the local station?
Schiller: No, not really. The lifeblood of NPR is the local station. You’ll note we always route the membership drives through the local station. However, we do have a philanthropic support through the NPR Foundation, but that’s not for small individual donations.But the listener can go directly to NPR in the Web model, and doesn’t need to go to the local affiliate. So what’s the local affiliate’s role in the new paradigm?
Schiller: The fact that so few journalists are covering state and local news is scary. We’re committed to providing that local coverage via the affiliates. “We’ve got to have that local coverage, and NPR can’t do it….To the extent that [local coverage] doesn’t suit your needs, then we have to work together to make it meet your needs.”
News Collaboration and Revenue Streams
While we’re on the subject of Schiller’s comments, be sure to check out this video clip in which she talks about collaborating on news content and on pubradio’s revenue streams:
Personally, I’m enamored of Schiller’s vision for the future, of a true news network in which the far-flung nodes are as active in the news process as the central, and to each his own strengths.
But I think that model, and the business operations required to make it go, look extremely different than what the system looks like today. So different that current station management will likely fight it with all their remaining power.
Because yes, the towers will go (too expensive), the middle management will go (too wasteful) and you’ll be left with journalist-bloggers focused on community news that operate local public service networks and both report and instigate reporting from others. Plus you’ll have some sales people and technical web people. In many communities it won’t look like public radio at all.
We just don’t know how fast all this will happen.
Headed to CPB. Headed for community?
April 14, 2010 by John Proffitt · 2 Comments
I’m headed to the CPB today for an all-day meeting tomorrow (Thu, Apr 15) at the mother ship, hosted and arranged by Rob Bole (aka @rbole).
Up for discussion amongst a small group of public media tech types? Collaboration and community, or at least that’s what I’m expecting.
Many of you can probably list conference after conference and presentation after presentation, especially in the digital media space, where we all swear to stay in touch and share project ideas and methods, but it just never seems to happen. And I’m as guilty as the rest!
Lots of smaller projects have popped up over the years, including the #pubmedia chats happening each Monday evening with the help of some public media Twitter luminaries.
What each of the projects have lacked is either staying power or depth of collaboration, mostly driven by a lack of time to pursue collaborative work instead of individual (station-focused) digital production.
With the help of Allen Gunn, I’m betting on a great meeting and some sustainable work to benefit our communities and colleagues across the public radio, TV and web universe. Hopefully there will be more to report by the weekend.
Wow! KQED drops out of news project
January 22, 2010 by John Proffitt · Leave a Comment
Current has the news that KQED is out of the Bay Area News Project and the NY Times is in.
Personally, I’m fairly disappointed in this turn of events. Perhaps KQED will tell its side of the story in the days to come.
So far, all that’s available is speculation and back-room chatter.
MacBreak Weekly explores NPR/station disintermediation
December 23, 2009 by John Proffitt · Leave a Comment
On each MacBreak Weekly — a podcast focusing on all things Mac (and iPhone / iPod) — the host and guests make “picks of the week” in which they highlight hardware or software from every imaginable corner of the Mac and iPhone universe. Some stuff is small, some stuff is big, some is expensive and some is free. This week one of the guests — Alex Lindsay, a videography and special effects pro — picked the tremendously popular NPR News iPhone app (currently #4 in the free News apps category in the iTunes App Store).
In discussing the NPR News app, host Leo Laporte and Alex lavish praise on NPR itself for doing such a great job meeting the needs of Internet users that want access to NPR News and other public radio content and stations. They also rave about This American Life (currently the #2 podcast in the entire iTunes podcast directory) and the heavily revised NPR.org.
But then things get interesting.
Laporte and Lindsay don’t stop with reviewing the app or praising NPR. Together they demonstrate both tremendous insight and notable ignorance of how public radio is architected in the U.S. Here’s what’s right and what’s wrong in their discussion:
Right
- The NPR News app, combined with the new NPR.org, is one of the most advanced distribution approaches in use by a major media company today.
- Livio is offering an Internet-connected radio with built-in NPR branding and features ($200).
- NPR was afraid to offer fully atomized programming elements via the web in an on-demand fashion for many years due to fears of station backlash, and resisted that through the early days of podcasting, despite prodding from Laporte and others in the tech world.
- Donations from listeners are still primarily directed toward stations, not NPR itself, and national producers reinforce that notion currently.
- NPR has done what many media entities have not done: face the future and make significant changes to the way they distribute content, answering the requests of listeners, even if it means stepping on local station toes.
- NPR produces industry-leading audio programming; it’s the “gold standard” in audio production and other professionals use it as a benchmark for their work.
- This American Life includes advertising in its podcast (it may be “sponsorship,” but it sounds to listeners like advertising). Laporte also realizes that advertising in a podcast gets around FCC regulations governing nonprofits and broadcast advertising.
- This disintermediation — content flowing from producers to listeners directly, without local stations — could be “the beginning of the end” for NPR stations across the country.
- Given the way content is produced and distributed in this new model, there needs to be a “reversal” of how the system works, in that NPR should pay local station reporters for news gathering (this is also listed below in the “wrong” section).

Wrong
- Alex says the app is “either free or $0.99″ — it’s free, no question about it.
- All Things Considered is not produced by a network other than NPR — it’s not from APM, it’s not from PRI, etc.
- Lindsay suggests that NPR should be paying local reporters for their reporting. What he doesn’t know is that NPR already does this, it just does it on a pay scale and frequency that’s not sustainable for local journalists.
Given how badly most people understand the public radio system in the U.S., they get a ton of this stuff right. And they instinctively know how the disintermediation game works — Laporte used to work on the defunct cable channel TechTV but today has built his own network of audio (and now video) podcasts and streams, amassing more than $1,000,000 in annual revenues for his 2-4 person multimedia production house. (For the record, he’s also a commercial radio broadcaster.)
“The Reversal”
I was shocked by Alex Lindsay’s suggestion that the economic model on which the network/stations system works should be turned on its head. That’s something I’ve been saying since about 2006, once I realized that the content power rests with NPR, but the radio distribution power and the social relationship power rests with geographically-bound stations.
I’ve been laughed out of more than one conversation when suggesting NPR should pay stations to distribute their content. Or at the very least, NPR should be passing its content to stations for free or for the cost of operating the distribution system (PRSS / ContentDepot).
Today, stations pay anywhere from tens of thousands to millions of dollars annually to NPR for the “privilege” to carry their content (depending on market size and lots of other factors). That’s the bulk of NPR’s income: fees collected from local stations. That’s why you pay your local station and not NPR (although NPR does sell advertising space nationally and they do seek high-dollar gifts from rich donors).
Some think the annual CPB operating grants go straight to NPR and PBS, but they do not. Only tiny bits go to a few specialized programs or services at the networks — the vast majority of CPB’s money goes out to 600 public radio stations and 350 public television stations every year (67% to TV). That model has been in place for decades.
But it’s time we rethink this model. Maybe we don’t need a total reversal of all the flows. But the balance of power has shifted dramatically into the hands of the major national producers at the same time they’ve sucked the life out of most local public media outlets in the country with their incredibly hefty (extortionary?) fees. Money collected locally keeps the lights on and pays the national producers, but it affords precious little local production of any sizable amount or quality.
This has to change. Or we might as well just nationalize the system, a la BBC, and get it over with. Either approach can be made to work, but the current model doesn’t match how the world works in the 21st century.
Listen for Yourself
In any case, check out the conversation to hear these comments and insights from outside the public radio universe. It starts around 1 hour, 20 minutes in the original podcast. Or just listen to the excerpt I’ve clipped here (or click the play button below). The excerpt is about 5 minutes long (MP3).
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Welcome KSKA listeners / visitors
July 30, 2008 by John Proffitt · Leave a Comment
I’m dropping in on KSKA Public Radio’s “Community Forum” program this afternoon (live at 2pm Alaska time) to talk blogging. For visitors stopping by — Welcome!
I’ll be posting links mentioned during the live show over at KSKA.ORG.
UPDATE: You can listen to or download the audio from today’s Community Forum program here.
iPhone 3G sold out… Bad news music radio!
July 21, 2008 by John Proffitt · 3 Comments
The word is out that a little more than a week after launch, the iPhone 3G is now just plain gone from stores across the U.S. — be they Apple Stores or AT&T stores. Indeed, AT&T was sold out nationwide on the first day. Apple Stores have carried the device intermittently ever since and as of Monday morning there were only 3 stores nationwide that had anything — each carrying only one model.
This is bad for music radio.
Okay, a bit over the top, but stay with me…
When the iPhone 2.0 software came out (which works on the old phones, not just the new sold-out ones), I dutifully downloaded and installed it on my own iPhone. Much of the system was unchanged. But the arrival of the App Store made all the difference, allowing the download and installation of applications that extend the functionality of the iPhone.
Two applications in particular were fascinating, in the context of broadcasting. One was AOL Radio, the other Pandora. Both of these services have existed at least for a few years online. But these are the first examples of full-bodied mobile implementations.
AOL Radio
AOL Radio is pretty simple. It’s direct, live streaming access to the “AOL Radio” channels of music, sort of like satellite radio in that they aren’t local broadcast stations and are organized around tons of musical themes/styles. But it’s also an application that grants streaming access to hundreds of local terrestrial stations in the CBS collection. I can now listen, on the iPhone (with a live WiFi signal) to real-time streams of radio stations from coast to coast.
Since the iPhone goes everywhere with you, and given the near-ubiquity of WiFi signals, I now have hundreds of radio stations in my pocket. Sure, you could manage this before with several workarounds, but this is no workaround — this is a real implementation of a terrestrial transmitter threat that’s easy to use for mere mortals.
But that’s just AOL Radio. Forget that. That’s a threat we can obviate by getting our signals on the iPhone, too (not too hard — it’ll be done soon, I’m sure). Let’s get it on with Pandora.
Pandora
Pandora had interested me before, but only in an intellectual way. Now, presented again on the iPhone for free, I figured I’d try it again. It’s amazing, especially over WiFi. Let me say that again: it’s amazing.
A huge library of songs, all gathered for you with the backing of the Music Genome Project. You pop in a favorite album, artist or song and Pandora generates a complete “station” for you of music from that artist and stuff that’s musically similar to the album/artist/song you’ve identified. And it works.
Let me say that again, too: IT WORKS.
What’s surprising is the sheer speed in which tracks pop down to the iPhone and start playing. If you skip ahead the next track pops up nearly as fast as your CD player would find something further down the disc platter. Oh, and the audio quality is easily equal to good FM (over WiFi — less so over 3G or EDGE networks).
I’ve begun discovering music and artists again. I’ve started buying music again. Sunday alone I dropped $30 on new music, buying tracks both from the iTunes Store and from the Amazon MP3 Downloads service. All $30 were spent on artists I’d never experienced before Pandora suggested them and I bought them using links presented by Pandora.
And get this… if the track or album is available on iTunes, you can buy it wirelessly right on the iPhone, no computer required.
Your own music discoveries can be broad or narrow based on how your “stations” are created and configured (which sounds a lot harder than it really is). And you can combine your stations into mix stations, granting you access to more eclectic recommendations.
Then there are more features on the regular Pandora web site. You can do the same thing via the full web that you do on the iPhone, but there are mild social networking features, extending the recommendation engine further. Plus, for more complex “station” operations, the full web site offers better tools. But it’s all one account, synchronized instantly back and forth as you use the service anywhere.
Why Listen to Music Radio?
Perhaps I’m already past the age where music radio makes sense for me, but I have to wonder what happens to music radio when this kind of access to music is virtually ubiquitous. Remember — the iPhone 3G sold 1 million devices in the first weekend and is sold out nationwide a week later. Pandora is a free service and free application — no advertising, no tricks — and it’s easy to use. (I began to wonder why I bothered syncing music to the iPhone — why not just live on Pandora recommendations alone?)
I’m curious if any music station programmers out there have a take on Pandora they’d like to share. I know there are things you can do with radio that Pandora will never match. And I know the Pandora catalog is limited by the licensing deals they can strike with publishers. But really… if you can listen to “stations” tailored to your preferences and discover new-to-you music in a hyper-efficient way, why turn to terrestrial radio for music at all?
If you’re human-hosting your music, you’d better be doing a better job than the Music Genome Project.
NPR’s Thomas goes to Etsy; Surprise — it’s not a conspiracy
April 24, 2008 by John Proffitt · Leave a Comment

Recently I’ve told people I know, especially folks I meet via Twitter, that this here blog is really kind of an “inside baseball” thing for public media purveyors or supporters. It’s not a general interest kind of thing. Well, for this post, I’m going to kick up the inside baseball factor a notch…
In the wake of the Ken Stern departure from NPR, the rumblings in D.C. were audible all the way out here in Anchorage (it helps if you have a former NPR staffer working in the next office). Stations across the country were in a tizzy for a few days trying to read the tea leaves — what did it all mean?
Then a few weeks later we heard about the departure of Maria Thomas, NPR’s digital media guru. As one of the chief architects of NPR’s many digital initiatives, her exit fueled speculation that the elimination of Stern was a rebuke of online activities at the company and Thomas left because her days were numbered.
At least that’s the speculation I heard. But I didn’t believe it.
Thomas came to NPR with solid online / e-commerce experience. She did great work at NPR. But I suspected she basically had achieved all she could in a company that, for all its good intentions, cannot move too terribly quickly, given the distributed nature of its goals and relationships. Plus, her work would have gotten her continued attention in web circles. She was likely hit with a job offers repeatedly.
Today venture capitalist (and uber-blogger) Fred Wilson announced Thomas’ installation as COO of the unique online retailer Etsy.com. While we knew the Etsy part of the story weeks ago, I think the warm welcome she’s being offered tells the real story — that hiring Thomas was a coup for Union Square Ventures and Etsy, not a housecleaning for NPR.
Be sure to check out the introductory video — great stuff. And note what Thomas says when asked why she likes Etsy: “I love that Etsy means connecting with something authentic.” Spoken like the new media veteran she is.
Of course, I could be wrong. Hit me in the comments if I’m missing anything.
Congratulations PRX
April 10, 2008 by John Proffitt · Leave a Comment
The news today that PRX has received a half-million dollar MacArthur grant is fabulous. It’s such a great service in the public media world and it’s gratifying to see good work get rewarded.
They’ve posted all the details here.
Update on NPR / Ken Stern
March 26, 2008 by John Proffitt · Leave a Comment
Current published an in-depth article on the NPR / Ken Stern story this week. I’ve updated my list of articles to include it, and it’s a great read on its own. It summarizes a large swath of the Stern history at NPR and points to several core reasons why things just didn’t work out.
I actually came away from this profile liking Ken Stern quite a bit. Did he fit well into the CEO slot? Perhaps not. But he did some great work for NPR. And to everyone’s credit — except a sour-grapes Bob Edwards — the comments from board members and others were incredibly even-handed.
It’s high time for real-time community engagement
March 24, 2008 by John Proffitt · 3 Comments
Geeks out there probably know Leo Laporte, the long-time commercial radio and TV host, made especially well-known via the now-defunct TechTV cable channel. He continues to develop media, having built the TWiT podcast “network” over the past couple of years, including the flagship This Week in Tech podcast, drawing some 200,000 listeners a week.
In a blog post this weekend, Laporte describes several changes he’s bringing to the core show, centered on live video streaming. I’m recommending the post because he describes both some Media 1.0 troubles he’s had lately and then describes the changes he’s about to make in his Media 2.0 company.
Why should public media folks care?
Because Laporte is doing what many of us in public media are not, and his strategy is especially well-suited to the Media 2.0 economy:
- he’s engaging with his community in a two-way and multi-way fashion that’s meaningful, open and authentic
- he’s increasing his real-time contact hours across multiple digital platforms (he doesn’t limit himself to one platform)
- he’s doing it all himself, on the cheap — there’s no network or corporation pushing him forward or holding him back
Laporte’s example is inspiring. Imagine what a public service media company with a true local engagement mission could do, using similar methods and the same low-cost, low-risk, rapidly-developing technologies. Engaging your community, communicating with your “true fans” is not a matter of holding public meetings or taking pledge calls. I’m hoping to steal some of this TWiT model for use in my shop (assuming we can get past our difficult strategic planning process).
But we’d better move fast.
Because in a world where Content is a commodity with a value approaching zero (or as Robert Paterson described content recently: noise), all we have left is Contact and Context. PBS and NPR can provide content on a national scale and with unrivaled quality. They can even distribute it and gather financial support for it directly. So we, the locals, must do what they cannot: provide authentic contact and develop a contextual service in tune with our local communities.
Take a look again at Laporte’s example. He’s building out in service of his “tribe,” his community. He’s co-creating value with volunteers in his “TWiT army.” He’s using two-way platforms authentically. He’s got real-time contact with his audience. He’s doing it without transmitters or other oppressively heavy engineering costs. We should be so lucky.
We can be so lucky.
Paterson, Mundt, Carvin trifecta on KCUR
March 20, 2008 by John Proffitt · Leave a Comment
Great show today on Kansas City’s public radio station KCUR with guests Robert Paterson, Todd Mundt and Andy Carvin. The topic? Surprise! New media and public media.
Worth a listen, especially if you’re a little confused about how public radio and public TV can engage the world in an online context.
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Total time: about 51 minutes. Download the MP3 here.
(By the way, I’d link to the web page at KCUR, but it appears it won’t be available after this week due to the way it’s published using the Public Interactive CMS.)
Tending the Public Media Tribe
March 18, 2008 by John Proffitt · 3 Comments
If you’re not reading Seth Godin, you’re not paying attention to the future of successful public media. Godin doesn’t address public media directly, but he does address issues of marketing and community and the economics of making money through the products or services a company provides in a new media world.
Godin talks a lot about tending to your “tribe” — that group of people that love your product/service and who share your values or perspectives and interests. If you’ve been in public radio or TV for any length of time, you know these folks. Most likely you’re already a member of this tribe yourself.
Recently Godin gave a talk at a music conference and his comments, while aimed at a music marketing audience, are applicable to all of us in public media — news, music, radio, TV, whatever — because the trends affecting the music business (disastrously) today are the same ones rewriting the rules for all media. And the rules for success in the next generation will be the same: serve your tribe; be indispensible; be the best.
Here are some highlights from Godin’s talk, pointed out by Gerd Leonhard and partially chosen by digitalwaveriding (the boldface highlights are mine):
… if I asked you for the name and address of your 50,000 best customers, could you give it to me? Do you have any clue? [No?] Then what happens every day is you go to a singles bar and you walk up to the first person you meet and propose marriage and if that person won’t marry you, you walk down the bar to every single person until someone says “I do.” That’s a stupid way to get married. A better way to get married is to go on a date. If it goes well, go on another date. Wait to tell them on the third before you tell them you’re out on parole. Then you meet their parents, they me your parents, you get engage, you get married. Permission is the act of delivery. Anticipated, personal and relevant messages to people who want to get them.
… The next thing is what I call the Seinfeld curve. The Seinfeld curve shows us Jerry’s life. If you like Jerry Seinfeld you can watch him on television, for free, in any city in the world two or three times a day. Or, you could pay $200 to go see him in Vegas. But there is no $4 option for Jerry Seinfeld. This is death. You can’t make any money in here. Because if you’re not scarce I’m not going to pay for it because I can get it for free. And one of the realities that the music industry is going to have to accept is this curve now exists for you. That for everybody under eighteen years old, it’s either free or it’s something I really want and I’m willing to pay for it. There is nothing in the center — it’s going away really fast.
… The next thing is this idea that people care very much about who is sitting next to them at the concert. They care very much about the secret handshake. They care very much about the tribal identification. “Oh you like them? I like them!”
… It’s really important to people to feel like they are part of that tribe, to feel that adrenaline. We are willing to pay money, we’re willing to go through huge hoops, trampled to death in Cincinnati if necessary, in order to be in the environment where we feel that’s going on.
… I want to argue that the next model is tribal management. That the next model is to say, what you do for a living is manage a tribe, many tribes, silos of tribes. That your job is to make the people in that tribe delighted to know each other and trust you to go find music for them.
… There is a lot of music I like. There is not so much music I love. They didn’t call the show, “I Like Lucy,” they called it “I Love Lucy.” And the reason is you only talk about stuff you love, you only spread stuff you love. You find a band you really love, you’re forcing the CD on other people, “You gotta hear this!” We gotta stop making music people like. There is an infinite amount of music people like. No one will ever go out of the way to hear, to pay for, music they like.
Fortunately or unfortunately, the future for public media companies will involve considerable “tribe management” and will involve a smaller audience than we have today, either locally or collectively — all media will have far more fragmented communities than in the past. Now is the time to identify who’s in and who’s out of your tribe and figure out how best to serve the community that gathers around public media content and values.
This may sound elitist or even fatalistic to the traditional mass media thinkers out there: “But I want the biggest audience possible!” Well, you can’t have it. Large audiences of mildly engaged viewers or listeners or readers are the old model. The new model requires deep and authentic engagement with that “tribe” of people. You can still invite everyone into the tribe, and you should. But in a world of infinite tribes, folks will naturally gravitate to the tribes that best serve their needs and interests (and they will have multiple tribes, of course).
Personally, I think this is an incredibly exciting time for public media folks that embrace this new approach. There’s new opportunity not only for sustainable businesses, but for truly meaningful, impactful and interactive work. The only problem is developing the courage to let mass media thinking fade over time, even though it’s been tremendously successful for the last 40 years.
